Lyrics: ©
by Neville Potter
Music: ©
by Michael Strand
For question, inquiries or comments feel free to send mail to
I Have Seen?
I Have Seen
is an audio-visual epic—an ode to the folly and hope of mankind.
It is a word- and sound-painting, a musical-like creation, with both gripping and intense tales and such dramatic music that you / an audience will not be left untouched.
I Have Seen
can be performed in a small setting with just a band of about 7 musicians.
In its greatest extent it could be a full-fledged multi-media stage performance with orchestra, band, singers, dancers, lightshow, videos, animations, etc.
Besides, it is a work of art that invites to be recorded, filmed, and presented in any of the above forms to a broad public.
This piece of art is a collaboration of the English poet/lyricist Neville Potter (famous for his work with Chick Corea and Return to Forever) and Michael Strand, a Norwegian composer, singer, and guitarist.
Neville’s 23-verse poem inspired Michael to create a compelling composition. His dramatic sound-painting supports and elaborates upon the pictorial scenes in these poetic, powerful lyrics, and so text and music meet in a perfect marriage.
Before you listen to the music, you should read the lyrics, which I "sound-painted".
The indented verses are new lyrics, which are not in the two demos below. If you want to read the lyrics while listening to the music, you have to skip these verses.
The first two recordings on this page are old demos which you might look upon as a draft, which shall show the potential but also complexity of the work. There the composition is like a slide-show, where the pictures change too fast. The idea is to extend the transitions between verses with instrumental parts.
I added two instrumental passages, and as of October 2020 "I Have Seen" is more than 50 minutes long.
This version is the base for the composition and arrangement which I current work on.
In connection with a Norwegian competion I asked Neville to write new verses, and I rearranged the piece to some extent. This recording was made on a 4-track cassette deck, and therefore lacks "space" in the soundscape. The lead-singer, Stig Olav Gjendem, had the ungratifying and admirable task to sing the whole piece in just one day, without much practice, and I think he did a great job.
Compared to the first version many parts are rearranged, e.g. the last two verses, and I added more guitar.
Michael Strand - Sequencer programming of all instruments and voices, guitars and vocals
Stig Olav Gjendem - lead vocals
Percussion/drums in verse 2, and drum groove in verse 7&8 (time signature 5/8 and 6/8): Paolo Vinaccia
Right-click the link to download the file in WAV-format. (507MB!)
This is the original, first version with the original 17 verses. It has a longer ouverture than the second version. Some of the instruments' voices drowned or disappeared in the mix because of time problems. (A big thank you to Øistein Boassen who back then worked at Rainbow Studio, Oslo, and helped me with his time and know-how for free.)
During the intro there is a drum-part, where the bass drum got lost in the mix, and therefore this drumming might sound kind of awkward, and during the verse starting with «I saw a mighty river flood» the cello-voice got drowned in the mix. Both of these problems are fixed in the second version, but the piano is still not loud enough.
My wife Ingvil Strand was my muse and councelor during the composing process which took nine months. We discussed the lyrics, I dressed the melodies in musical garment and placed them in a musical "sound-scape" which inspiration brought to me. Ingvil also sang several verses, and I love her rendition.
By the way, would you believe me, when I said I can't play the piano?
Michael Strand - Sequencer programming of all instruments and voices, guitars and lead vocals
Other vocals: My wife Ingvil Strand, Richard Ogilvy, "Lella".
Percussion/drums in verse 2, and drum groove in verse 7&8 (time signature 5/8 and 6/8): Paolo Vinaccia
Right-click the link to download the file in WAV-format. (523MB!)
October 6th, I finished the arrangement of the "Battlefield Elegy", and made a rough mix.
While digging through my notes and files and old MIDI-stuff, I came across this piece of music which had fallen through the cracks of time.
This part will come after verse 9 "I've seen a thousand armies bold a marching off to war...", and therefore the name "Battlefield Elegy".
The music was inspired by a painting of Carl W. Röhrig, called "Seeking Happiness". My wife thinks it is so beautiful that it almost hurts. Let me know what you think.
Tuesday the 29th of September the mixing of I Have Seen starts, and it hopefully will be finished by the end of the month.
I have also finalized the arrangement of the new verses 3, 6, 11, and 15, and have recorded a first mix of the transition between verse 5&6.
18th of August: Today I made a rough mix of verse 6, which is one of the new verses and has a new arrangement. If you first listen to the instrumental transition between verse 5&6, and then to this new verse, you will get an idea of the context. Compared to the second demo, I had to make a new transition to what is now verse 7. Verses 7–9 have basically the same arrangement as before.
Here are two versions of verse 6 without vocal melody and verse 6 with vocal melody (not sung, just sketched with a synth, which kind of muddies the arrangement).
14th of August: Today I made a rough mix of verses 2-4 as a backing track to practice vocals.
I also made a proliminary arrangement and static mix of verses 15&16.
On August the 3rd I finished the draft of the overture's second half, from about just after the spoken first verse. This version is shorter than the first version's overture, but longer than the second one. I hope you like it.
On July 21st, I made a rough mix of verse 5, just the instruments, no vocals. The music at the end of this verse is supposed to illustrate what I call "a landparty". I thought it was a good idea to throw a party, since "the knight and the princess live to share an honoured life in which themselves they'd find". I made this section a bit longer than in the earlier demos. Right after you listened to verse 5 you should play the transition between verse 5&6 to get the context.
Today, July 28th, I made a rough mix of verses 10 to 13 (without vocals), where verse 11 has new lyrics and a new arrangement. I also added more guitar.
Next I will record the guitar solos in verses 10–12, and post a basic mix here.
Then comes the arrangement of verse two and the new verse three with the short transition between them, and afterwards I will finish the arrangement of verses 6–9, record the lead guitars and upload the mix here.
Later this year it is time to wrap up the recording of this project.
Anders Gjønnes will be the lead singer, and the vocals will be recorded at Norsk Lydstudio, Mjøndalen, Norway, on the 1st of September. Later we will mix this creation.
16) Without knowing about book burning in Argentina, when I read the lyrics to verse 16 (verse 15 was written later), I was inspired to put music to this verse, which resembles Argentinian tango.
Later I got confirmation of the validity of the musical framework to this topic.
In the first version of "I Have Seen" you can hear the original arrangement of the music to the lyrics "I've seen the books of wisdom burned ...", which I since have used for the new verse 15, while verse 16 got more of a tango mood to it.Book burning, and art destruction has happened many time throughout history, both because it might have similar cultural, religious, or political connotations, and because in various historical cases, books and artworks were destroyed at the same time.
I found out that in 1979, a people's library in Buenos Aires was attacked by masked men who burnt 8 000 books. No official information was given about this event. The most notorious book burning occurred at the Centro Editor's.
Another interesting fact about "forbidden books" is that the Argentinian artist Marta Minujín has used 100,000 prohibited books to construct a replica of the Parthenon in Athens on a Nazi book-burning site in Kassel, Germany.
Her kan du lese om noen av mine tanker rundt bakgrunnen og forklaring til teksten.